REMBRANDT, 4 etchings and burins, mid-19th century prints: T - Lot 426

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  3. REMBRANDT, 4 etchings and burins, mid-19th century prints: T - Lot 426
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Lot n° 426
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Estimation :
150 - 200 EUR
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Result : 1 476EUR
REMBRANDT, 4 etchings and burins, mid-19th century prints: T - Lot 426
REMBRANDT, 4 etchings and burins, mid-19th century prints: The Return of the Prodigal Son, dated 1636 and signed in the plate, thin paper print mounted on cardboard (ca. 158 x 139 mm), yellowed paper; The Samaritan Woman, dated 1634 and signed in the plate, thin paper print (ca. 125 x 109 mm), watermark at top of margins (illegible), small amount of foxing, mostly in margins, yellowed paper; Abraham with his son Isaac, dated 1635 and signed in the plate, thin paper print (ca. 125 x 109 mm), watermark at bottom of margins (illegible), small amount of foxing, mostly in margins, yellowed paper; The Samaritan woman, dated 1635 125 x 109 mm), watermark at the top of the margins (illegible), small amount of foxing, mainly in the margins, paper yellowed; Abraham with his son Isaac, dated 1635 and signed in the plate, thin paper print mounted on cardboard (ca. 158 x 134 mm), strong russeting; The Samaritan woman, dated 1634 and signed in the plate, thin paper print mounted on cardboard (ca. 158 x 134 mm), watermark at the top of the margins (illegible), paper yellowed; The Samaritan woman, dated 1634 and signed in the plate 158 x 134 mm), heavy foxing, especially marginal; The Resurrection of Lazarus (small plate), dated 1642 and signed in the plate, thin paper print (ca. 152 x 115 mm), some minor foxing, especially marginal; [Attached] LAGRENEE Jean-Jacques (1739-1821), The Russian Old Man, signed Lagrenée in Peters(bourg) in the plate (ca. 82 x 67 mm at the bowl), signed and attached at the 4 corners. That is 5 prints. of a set of about 500 prints of various sizes from the 16th to the 19th century, coming from the Touraine descent of the collection of Jean-Joseph CARLIER (1794-1874), historian and writer, continued by his son Louis CARLIER (1846-1921), journalist close to the Saint-Simonian movement, and his grandson Pierre CARLIER (1877-1923), former consul general in Usbuk (Turkey). This collection, started and formed mainly in the early and mid-19th century, includes five prints from the MARIETTE collection, initialed and dated on the back in pen and ink by Pierre II MARIETTE (1634-1716). These last ones come most probably from the MARIETTE sale of 1775. Some lots have been joined with the handwritten documents concerning them by Jean-Joseph CARLIER. The description has been as precise as possible, but does not exclude small defects, visible on the photos. The prints are almost all copper engravings, etchings or burins, and unless otherwise stated, are fixed by glue dots on strong 19th century paper and are sold as is. The dimensions are taken at the bowl unless otherwise stated.
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