[The Sermon on the Mount, drawn by Marteen DE VOS (1532-1603 - Lot 417

Lot n° 417
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Estimation :
150 - 200 EUR
Result : NC
[The Sermon on the Mount, drawn by Marteen DE VOS (1532-1603 - Lot 417
[The Sermon on the Mount, drawn by Marteen DE VOS (1532-1603) and engraved by Jacobus DE BYE and Adrian COLLAERT. Nice edition, well contrasted. Emargé (ca. 178 x 215 mm); Nativity (105 x 135 mm) drawn by I. MATHAM and engraved by A. MATHAM, from a religious work; The Samaritan woman (82 x 120 mm). These last two prints glued to the corners on paper; Sol Christus (200 x 140 mm) drawn by F. VANNIUS and engraved by MARIETTE, glued to the corners; La Sibylle de Cumes (335 x 230 mm) drawn by Crisp. PASSET and engraved by Simon PASSET his son (extracted from a book, old spotting and staining, old handwritten text in the lower margin); Christ and Saint Louis surrounded by angels, drawn by J. B. CORNEILLE and engraved by MARIETTE for a book frontispiece in-4 published by Coignard; Le baptême de Clovis par Saint Rémi: large vignette (80 x 140 mm) by LE CLERC; various plates from allegorical works or 18th century frontispieces; a proof entitled Bateaux remontans de Rouen à Paris (approx. 165 x 260 mm), in Paris, by the widow Chereau; 2 small mythological plates (ca. 170 x 58 mm) by BREBIETTE (1598-1650) and Augustin QUESNEL (17th c.); 2 stations of the Way of the Cross (ca. 120 x 85 mm) by Théodore GALLE. Well contrasted print. That is 25 plates. of a set of about 500 prints of various sizes from the 16th to the 19th century, coming from the Touraine descent of the collection of Jean-Joseph CARLIER (1794-1874), historian and writer, continued by his son Louis CARLIER (1846-1921), journalist close to the Saint-Simonian movement, and his grandson Pierre CARLIER (1877-1923), former Consul General in Usbuk (Turkey). This collection, started and formed mainly in the early and mid-19th century, includes five prints from the MARIETTE collection, initialled and dated on the back in pen and ink by Pierre II MARIETTE (1634-1716). These last ones come most probably from the MARIETTE sale of 1775. Some lots have been joined with the handwritten documents concerning them by Jean-Joseph CARLIER. The description has been as precise as possible, but does not exclude small defects, visible on the photos. The prints are almost all copper engravings, etchings or burins, and unless otherwise stated, are fixed by glue dots on 19th century strong paper and are sold as is. The dimensions are taken at the bowl unless otherwise stated.
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